ARCHITECTURE AND URBAN DEVELOPMENT. RESTRUCTURING AND RESTORATION

V.I. MUKHINA’S SCULPTURE «WORKER AND COLLECTIVEFARM GIRL»: CONSTRUCTION ASPECTS OF CREATION AND RECONSTRUCTION

Vestnik MGSU 6/2013
  • Molokova Tat’yana Alekseevna - Moscow State University of Civil Engineering (MGSU) Candidate of Historical Sciences, Associate Professor, Chair, Department of History and Culture Studies; +7 (499) 183-21-29., Moscow State University of Civil Engineering (MGSU), 26 Yaroslavskoe shosse, Moscow, 129337, Russian Federation; This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

Pages 35-41

The article covers the problems of reconstruction of the famous sculptural group designed by V.I. Mukhina «Worker and Collective Farm Girl», created in the 1930s for the Soviet pavilion of the universal exposition in Paris in 1937. The author considers the structural and cultural features of the monument and drives attention to the synthesis of architecture and sculpture in the pavilion designed by B.M. Iofan.The author also emphasizes some constructive features of the sculpture such as the scarf which is an important compositional and constructive element, and describes the process of preparation of the sculpture to construction in Paris and assembly in Moscow after The Paris World Exposition. The author touches the problem of the sculpture installation in Soviet period. The author performs a comparative analysis of the sculpture before and after its reconstruction and covers the aspects of construction works, including the construction of a new modern pavilion, or a pedestal for the sculpture.

DOI: 10.22227/1997-0935.2013.6.35-41

References
  1. Voronov N.V. Rabochiy i kolkhoznitsa [Worker and Collective Farmer Girl]. Moscow, Moskovski Rabochi Publ., 1990, p. 78.
  2. Samin D.K. Samye znamenitye zodchie Rossii [The Most Famous Architects of Russia]. Moscow, Veche Publ., 2004, 43 p.
  3. Kostina O. «Rabochiy i kolkhoznitsa». Skul’ptura i vremya [Worker and Collective Farmer Girl. Sculpture and Time]. Moscow, Sovetski Khudozhnik Publ., 1987, 100 p.
  4. Gur’yanova I. Kolkhoznitsa — eto ya [I Am the Collective Farm Girl]. Moskovskie vedomosti [Moscow Chronicles]. No. 10(158), March 20, 2000, p. 3.
  5. Moskovskiy Gosudarstvennyy Stroitel’nyy Universitet: istoriya i sovremennost’ [Moscow State University of Civil Engineering: History and Present Days]. Moscow, 2001, ASV Publ., pp. 130—131.
  6. Molokova T.A., Frolov V.P. Pamyatniki kul’tury Moskvy: iz proshlogo v budushchee [Landmarks of Moscow Culture: from the Past into the Future]. Moscow, ASV Publ., 2010, 121 p.
  7. Moskovskoe nasledie [Moscow Legacy]. 2009, no. 9, p. 46.

Download

Integration problems of the old and the new in urban space development

Vestnik MGSU 6/2014
  • Azatyan Karen Rubenovich - National University of Architecture and Construction of Armenia (NUACA) Candidate of Architecture, Associate Professor, Department of Architectural Drafting and Architectural Environment Design, National University of Architecture and Construction of Armenia (NUACA), 105 Teryan str., Yerevan, 0009, Armenia; This e-mail address is being protected from spambots. You need JavaScript enabled to view it .
  • Engoyan Anna Robertovna - National University of Architecture and Construction of Armenia (NUACA) Candidate of Architecture, Associate Professor, Department of Architectural Drafting and Architectural Environment Design, National University of Architecture and Construction of Armenia (NUACA), 105 Teryan str.,Yerevan, 0009, Armenia; This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

Pages 7-16

The article discusses some problems of combination of old and new elements of urban space development, positive interaction of which significantly contributes to the unity and originality of architectural and artistic image of a city. The сonstantly evolving complex structure of the city exists not only in space but also in time. With the time the spatial structure of the city changes, as well as the ideas about aesthetic values and the problems of combination of nonsimultaneous formation elements arise. In the article the problems are considered from several points of view: interaction of the old and the new, formation of the historical monuments, their estimation, protection and integration to the new system. Research and analysis of some integration problems of old and new in the development of urban space lead to the following main conclusions. In a complex system of a city the coexistence process of structures is important, created in different times - the integration of old and new, which forms the unity of the urban environment. Integration of old and new, where the old acquires new qualities and the new is in harmony with the old, forms the historical layers, which give the ability to perceive the city in time. The time factor, saturating these layers, gives the city a personality and creates a link between the past, the present and the future via physical structures. In the integration of old and new artistic image formation based on contrasting expressiveness is essential, which is also advisable in case of ensuring the compositional and artistic communication between new buildings and historic zones. In the structure of the city not only unique monuments are valuable, but also their later additions and ordinary building complexes, which are the elements that form the environment and conditions of its perception, express the characteristic features of a certain period and complement the multi-layered artistic image. The combination of old and new is more effective coexisting in the interconnected system of urban processes of layers, created in different times, where a rethought historic building changes the relationship with the environment, gets a new meaning, becomes viable, expands the artistic potential of the new ensemble and associates with the area and its history. Process of the protection of historical environment and facilities in the city should always be considered in a unified approach with the tasks of reconstruction and the formation of new complexes. Protection and reconstruction process should include a wide range of approaches. Task of protecting an individual object, its parts or the building complex, individually defined for each case, contributes to the saturation of the image, where the introduction of the elements of different periods illuminates the process of changes within long time period. In the case of the introduction of the new in the old, modern architectural form should be converted into a part of the formed structure, must not violate the general while showing individuality, but saturate its historical diversity and preserve the opportunity for further development, the formation of flexible composition systems capable to transformation, is an ongoing task in present.

DOI: 10.22227/1997-0935.2014.6.7-16

References
  1. Dutsev M.V. Sovremennyy gorod kak prostranstvo dialoga [Modern City as a Space of Dialogue]. Sovremennaya arkhitektura mira [Modern Architecture of the World]. Issue 2, Мoscow, Nestor-Istoriya Publ., 2012, pp. 221—244.
  2. Rashidyan G.H. Glavnaya ploshchad’ Erevana vo vremeni i prostranstve [Main Square of Yerevan in Time and Space]. Yerevan, EGUAS Publ., 2007, 155 p.
  3. Zeidler E.N. Mnogofunktsional’naya arkhitektura [Multi-use Architecture]. Мoscow, Stroyizdat Publ., 1988, 151 p.
  4. Gutnov A.E. Mir arkhitektury [World of Architecture]. Мoscow, Molodaya gvardiya Publ., 1985, 352 p.
  5. Ikonnikov A.V. Arkhitektura goroda [The City's Architecture]. Moscow, Stroyizdat Publ., 1972, 215 p.
  6. Ikonnikov A.V. Prostranstvo i forma v arkhitekture i gradostroitel’stve [Space and Form in Architecture and Urban Planning]. Мoscow, KomKniga Publ., 2006, 352 p.
  7. Gel’fond A.L. Arkhitecturnaya tipologiya v aspekte zhiznennogo tsikla zdaniya [Architectural Typology in Terms of the Life Cycle of the Building]. ACADEMIA. 2011, no. 2, pp. 40—47.
  8. Schroeder U. Variabel nutzbare Hauser und Wohnungen. Bauverlag GmbH. Weisbaden und Berlin. 1980.
  9. Samoylov Yu.G. Besedy o professii arkhitektora [Talks on the Profession of an Architect]. N. Novgorod, N. Novgorod State University Publ., 1991, 96 p.
  10. Timokhov G.F. Modernizatsiya zhilykh zdaniy [Modernization of Residential Buildings]. Мoscow, Stroyizdat Publ., 1986, 190 p.
  11. Linch K. The Image of the City. The MIT Press, 1ST edition, 1960.
  12. Frampton K. Modern Architecture: a Critical History. Thames & Hudson; Fourth Edition, 2007, 424 p.
  13. Azatyan K.R. Opyt modernizatsii zhiloy zastroyki pervykh desyatiletiy XX veka [The Experience of Modernization of Residential Development in the First Decades of XX Century]. Izvestiya soyuza stroiteley Armenii (sbornik nauchnykh trudov) [Bulletin of Builders’ Union of Armenia (Proceedings)]. Yerevan, 2013, no. 1—2 (185—186), pp. 53—63.
  14. Zumthor P. Thinking Architecture. Second, expanded edition / Published by Birkhauser. Basel — Boston — Berlin, 2006. P. 65.
  15. Rashidyan G.H. Tsentr Erevana — kakim emu byt’ v budushchem [The Center of Yerevan — How it Will Look Like in the Future]. Byulleten’ stroiteley Armenii [Bulletin the Builders of Armenia]. Yerevan, 1999, no. 3 (32), pp. 13—15.
  16. Dutsev M.V. Integral’naya kontseptsiya arkhitekturnoy sredy na primere gorodov Gollangii i Germanii [Integral Concept of Architectural Environment on the example of the Netherlands and Germany]. ACADEMIA. 2012, no. 4, pp. 12—20.

Download

Social, ethnical, cultural and confessional features of architectural heritage of monasteries

Vestnik MGSU 6/2014
  • Frolov Vladimir Pavlovich - Moscow State University of Civil Engineering (National Research University) (MGSU) Candidate of Historical Sciences, Associate Professor, Department of History and Philosophy, Moscow State University of Civil Engineering (National Research University) (MGSU), 26 Yaroslavskoye shosse, Moscow, 129337, Russian Federation; This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

Pages 35-43

Monasteries, their activity and lifestyle have always played an important role in the culture of various nations. Monasteries are objects of cultural heritage. Their architecture is connected with national features on a nation, particular canons of Christian (orthodox, catholic), Buddhistic or other religion. The article describes ancient monasteries in Russia amid the global development, historical national characteristics monasteries are analyzed, as well as architectural ensembles, reflecting the function and role of monasteries in public life, showing their spiritual and cultural heritage, monastic tradition, the historical value of the monastic landscape and its conservation conditions, the inclusion of the monasteries in the world cultural heritage is noted.

DOI: 10.22227/1997-0935.2014.6.35-43

References
  1. Bol'shaya illyustrirovannaya entsiklopediya [Big Illustrated Encyclopedia]. In 32 volumes. Moscow, AST, Astrel' Publ., 2010, vol. 18, p. 143.
  2. Komech A.I. Russkie monastyri. Istoriya i kul'tura X—XVII stoletiya [Russian Monasteries. History and Culture of X—XVII Centuries]. Moscow, Art-BMB Publ., 2001, p. 21.
  3. Klyuchevskiy V.O. Skazanie inostrantsev o Moskovskom gosudarstve [Legend of Foreigners about Muscovy]. Moscow, Prometey Publ., 1991, p. 167.
  4. Antonova L.V., Titova T.V. Arkhitekturnye shedevry Rossii [Architectural Masterpieces of Russia]. Moscow, Dom Slavyanskoy Knigi Publ., 2009, p. 44.
  5. Bryusova V.G. Ipat'evskiy monastyr' [Ipatiev Monastery]. Moscow, Iskusstvo Publ., 1981, p. 27.
  6. Likhachev D.S., Savitskaya O.D. Arkhitekturno-khudozhestvennye pamyatniki [Solovetskikh ostrovov [Architectural and Artistic Monuments of the Solovetsky Islands]. Moscow, Iskusstvo Publ., 1980, p. 32.
  7. Skopin V.V., Shchennikova L.A. Arkhitekturno-khudozhestvennyy ansambl' Solovetskogo monastyrya [Architectural Ensemble of the Solovetsky Monastery]. Moscow, Iskusstvo Publ., 1981, p. 53.
  8. Molokova T.A. Svyatitel' Filipp — patriot i stroitel' pravoslavnoy Rossii [St Philip — Patriot and Builder of Russian Orthodox]. Moscow, MGSU Publ., 2006, pp. 18, 20.
  9. Burov V.A. Istoriya keleynoy zastroyki Solovetskogo monastyrya XV—XIX vekov: monografiya [Exclusionary Story Building Solovetsky Monastery XV—XIX Centuries]. Institute of Archeology of Russian Academy of Sciences, Solovki State Historical, Architectural and Natural Museum-Reserve, Arkhangel'sk, 2011, p. 26.
  10. Maksakovskiy V.P. Vsemirnoe kul'turnoe nasledie [World Cultural Heritage]. Moscow, Eko-pros Publ., 2000, p. 381.
  11. Arenkova Yu.I., Mekhova G.I. Donskoy monastyr' [Don Monastery]. Moscow, Iskusstvo Publ., 1970, p. 67.
  12. Petrova E.N. Russkie monastyri. Iskusstvo i traditsii [Russian Monasteries. Art and Traditions]. Saint Petersburg, Palace Edition, 1997, p. 112.
  13. Chelnokov A. Pokrovskiy stavropigial'nyy zhenskiy monastyr' u Pokrovskoy zastavy [Intercession Pokrovsky Monastery]. Moscow, Pokrovskiy stavropigial'nyy zhenskiy monastyr' Publ., 2010, p. 57.
  14. Shchenkov A.S., editor. Arkhitekturnoe nasledie na rubezhe XX—XXI vekov: Problemy restavratsii i okhrany naslediya [Architectural Heritage in 20—21st Centuries. Moscow, KRASAND Publ., 2010, p. 51.
  15. Pokrovskaya E.N., Koval'chuk Yu.L. Biokorroziya, sokhranenie pamyatnikov istorii i arkhitektury [Biocorrosion, Preservation of Historical Monuments and Architecture. Moscow, MGSU Publ., 2013, p. 28, 57.

Download

Urban aspects in the creative heritage of D. Gilardi in Moscow

Vestnik MGSU 8/2015
  • Frolov Vladimir Pavlovich - Moscow State University of Civil Engineering (National Research University) (MGSU) Candidate of Historical Sciences, Associate Professor, Department of History and Philosophy, Moscow State University of Civil Engineering (National Research University) (MGSU), 26 Yaroslavskoye shosse, Moscow, 129337, Russian Federation; This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

Pages 41-50

The interest to Domenico Gilardi, one of the leaders of Moscow classicism and Empire, to his masterpieces and geography of architectural heritage is expressed in different investigations. Russian and foreign scientists pay great attention to the features of his works, his place in the classical style and influence of the Italian school. One of the most important aspects of the architect’s creative work is urban planning, and especially his participation in creation of the architectural ensembles of Moscow, city-forming qualities of separate buildings. The article is dedicated to the 230th anniversary of the birthday and the 170th anniversary of the death of an architect Domenico Gilardi. The article discusses architectural features and creative ways of D. Gilardi, special attention is paid to his urban planning activity in Moscow, his contribution to the historic development of the capital city is analyzed. On the example of specific buildings and structures, which eventually became historical-cultural monuments of Moscow, the author shows the activity of the architect in a complex historical period of the city’s reconstruction after the fire of 1812. The author concludes that the main buildings of the architect D. Gilardi are still among the best examples of the architecture of the Russian Empire.

DOI: 10.22227/1997-0935.2015.8.41-50

References
  1. Arkhitektura i gradostroitel’stvo. Entsiklopediya [Architecture and Urban Planning. Encyclopedia]. Moscow, Stroyizdat Publ., 2001, p. 412. (In Russian)
  2. Bol’shaya Rossiyskaya entsiklopediya [Great Russian Encyclopedia]. Moscow, BRE Publ., 2008, vol. 10, 767 p. (In Russian)
  3. Bol’shaya illyustrirovannaya entsiklopediya : v 32 tt. [Big Illustrated Encyclopedia : in 32 volumes]. Moscow, AST : Astrel’ Publ., 2010, vol. 10 : EVR-IZ, 504 p. (Arguments and Facts) (In Russian)
  4. Lasunsky O.G., editor. Voronezhskaya istoriko-kul’turnaya entsiklopediya. VIKE. Personalii [Voronezh Historical and Cultural Encyclopedia. VICE. Personalities]. 2nd edition, revised. Voronezh, Tsentr dukhovnogo vozrozhdeniya Chernozemnogo kraya Publ., 2009, 456 p. (In Russian)
  5. Tvortsy tekhniki i gradostroiteli Moskvy (do nachala XX veka) [Creators of Technology and Urban Planning of Moscow (The Beginning of the 20th Century)]. Moscow, Yanus-K, 2002, 376 p. (Masters of Science and Education of Moscow — 18—20 in Portraits and Characters) (In Russian)
  6. Arkhitekturnye ansambli Moskvy XV — nachala XX vekov. Printsipy khudozhestvennogo edinstva [Architectural Ensembles of Moscow of the 15th — early 20th Centuries. Principles of Artistic Unity]. Moscow, Stroyizdat Publ., 1997, 472 p. (Russian Urban Planning Art) (In Russian)
  7. Grabar’ I.E. Dementiy Ivanovich Zhilyardi i ego shkola [Domenico Gilardi and his School]. Istoriya russkogo iskusstva [History of Russian Art]. Moscow, I. Knebel Publ., 1910, vol. 1. Arkhitektura. Dopetrovskaya epokha [Architecture. Pre-Peter Epoch]. Pp. 42—43. (In Russian)
  8. Yaralov Yu.S., Zemtsov S.M., editors. Zodchie Moskvy [Architects of Moscow]. Book 1. Moscow, Moskovskiy rabochiy Publ., 1981, 302 p. (In Russian)
  9. Molokova T.A., editor. Praviteli Rossii i razvitie stroitel’stva [The Rulers of Russia and the Development of Construction]. Moscow, MGSU Publ., 2012, 296 p. (In Russian)
  10. Nikolaev E.V. Klassicheskaya Moskva. Ocherki arkhitektury moskovskogo klassitsizma i ampira [Classic Moscow. Essays on the Architecture of Moscow Classicism and Empire]. Moscow, Editorial URSS Publ., 2010, 272 p. (In Russian)
  11. Molokova T.A. Vosstanovlenie Moskvy posle pozhara 1812 g.: novyy oblik goroda [Reconstruction of Moscow after the 1812 Fire of Moscow: New Look of the City]. Vestnik MGSU [Proceedings of Moscow State University of Civil Engineering]. 2012, no. 6, pp. 17—22. (In Russian)
  12. Molokova T.A., Frolov V.P. Vliyanie ital’yanskoy arkhitektury na gradostroitel’stvo Rossii [Influence of Italian Architecture on Urban Planning of Russia]. Vestnik MGSU [Proceedings of Moscow State University of Civil Engineering]. 2011, no. 4, pp. 128—134. (In Russian)
  13. Angelini P., Navone N., Pfister A. Architetti neoclassici ticinesi fra Neva e Moscova: i fondi grafici degli archivi Adamini e Gilardi, catalogo della mostra (Venezia, 21 aprile — 20 maggio 2001). Fondazione Giorgio Cini — Archivio del Moderno, Accademia di Architettura, Università della Svizzera italiana, Venezia — Mendrisio, 2001, pp. 19—53, 87—90.
  14. Navone N., Tedeschi L. Dal mito al progetto. La cultura architettonica dei maestri italiani e ticinesi nella Russia neoclassica. Mendrisio : Mendrisio Academy Press, 2004, pp. 629—663.
  15. Pfister A., Angelini P. Gli architetti Gilardi a Mosca. La raccolta dei disegni conservati in Ticino. Mendrisio, Mendrisio Academy Press, 2006, 244 p.
  16. Il’in M., editor. Moskva: Pamyatniki arkhitektury XVIII –— pervoy treti XIX veka [The Architectural Monuments of 18th — the first third of the 19th Century]. Moscow, Iskusstvo Publ., 1973, 354 p. (In Russian)
  17. Evsina N.A. Arkhitekturnaya teoriya Rossii vtoroy poloviny XVIII — nachala XX vv. [Architectural Theory of Russia of the 2nd Half of the 18th — early 10th Centuries]. Moscow, Nauka Publ., 1985, 316 p. (In Russian)
  18. Rzyanin M.I. Arkhitekturnye ansambli Moskvy i Podmoskov’ya XIV—XIX vekov [Architectural Ensembles of Moscow and Moscow region of the 14th — 19th Centuries]. M. : Stroyizdat, 1950. 232 p. (In Russian)
  19. Bykovtseva P. Zhilyardi — Gagarin — Gor’kiy. Dom na Povarskoy 25-a [House on Povarskaya 25A]. Moscow, Imli RAN Publ., 2003, 114 p. (In Russian)
  20. Korobko M.Yu. Usad’ba Kuz’minki [Estate Kuzminki]. Moscow, Veche Publ., 2009, 88 p. (Usad’by, dvortsy, osobnyaki Moskvy) (In Russian)
  21. Beletskaya E.I., Pokrovskiy Z.K. Zhilyardi [Gilardi]. Moscow, Stroyizdat Publ., 1990, 168 p. (In Russian)
  22. Kirichenko E.I. Khram Khrista Spasitelya v Moskve. Istoriya proektirovaniya i sozdaniya sobora. Stranitsy zhizni i gibeli. 1913—1931 [The Cathedral of Christ the Savior in Moscow. History of Design and Creation. Pages of Life and Destruction]. Moscow, Planeta Publ., 1992, 280 p. (In Russian)
  23. Ikonnikov A.V. Tysyacha let russkoy arkhitektury : razvitie traditsiy [Thousand Years of Russian Architecture : Development of Traditions]. Moscow, Iskusstvo Publ., 1990, 386 p. (In Russian)
  24. Arkin D.E. Obrazy arkhitektury i obrazy skul’ptury [Images of Architecture and Images of Sculpture]. Moscow, Iskusstvo Publ., 1990, 399 p. (In Russian)
  25. Bartenev I.A., Batazhkova V.N. Ocherki istorii arkhitekturnykh stiley [Essays on the History of Architectural Styles]. Moscow, Izobrazitel’noe iskusstvo Publ., 1983, 392 p. (In Russian)
  26. Serbovelikov N.G. Vosstanovlenie kupola raboty znamenitogo D. Zhilyardi [Restoration of the Dome by famous D. Gilardi]. Arkhitektura i stroitel’stvo [Architecture and Construction]. 2006, no. 6, pp. 7—8. (In Russian)
  27. Komarova I.I. Arkhitektory. Kratkiy biograficheskiy slovar’ [Architects. Concise Biographical Dictionary]. Moscow, Ripol klassik Publ., 2000, 511 p. (Concise Biographical Dictionaries) (In Russian)
  28. Oleynichenko E.V. Knyaz’ S.M. Golitsyn — khozyain usad’by Kuz’minki [Prince S.M. Golitsyn — the owner of the Kuzminki estate]. Moscow, Veche Publ, 2008, 397 p. (In Russian)
  29. Samin D.K. Samye znamenitye zodchie Rossii [The Most Famous Architects of Russia]. Moscow, Veche Publ., 2004, 480 p. (In Russian)
  30. Filippova N.A. Formirovanie parkovoy struktury usad’by Kuz’minki — Vlakhernskoe [Formation of the landscape structure of the estate Kuzminki — Blachernae]. Russkaya usad’ba : Sbornik obshchestva izucheniya russkoy usad’by [Russian Estate. The Collection of The Society of Russian Manor Study]. Moscow, 1999, no. 5 (21), pp. 260—261. (In Russian)

Download

CONTINUOUS TRAINING OF ARCHITECTS AND A PRACTICAL COURSE IN ARCHITECTURAL COMPOSITION

Vestnik MGSU 6/2012
  • Gogoleva Natal'ya Arkad'evna - Nizhny Novgorod State University of Architecture and Civil Engineering (NNSUACE) Candidate of Architectural Sciences, Associated Professor, Department of History of Architecture and Fundamentals of Architectural Design, +7 (831) 433-03-91, Nizhny Novgorod State University of Architecture and Civil Engineering (NNSUACE), 65 Il'inskaya St., Nizhny Novgorod, 603950, Russian Federation; This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

Pages 130 - 135

The problem of training of architects in architectural composition is relevant at each stages of the training process. Continuous training in architectural composition is to assure better mastering of fundamentals of composition. Specialized training courses is to be incorporated into each stage of the training process, namely, into each specialized discipline that shapes up the compositional thinking in the field of architecture and town planning patterns.
The fundamental course is entitled "Three-dimensional spatial composition"; it is based on the theory of architecture and urban development, as well as practical classes in architectural analysis and modeling.
The author proposes new methods of teaching three-dimensional composition through a cycle of exercises and term papers. The systemic approach contemplates a good knowledge of the theory to serve as the basis for workshops and practical classes, as well as a new idea of continuous training.

DOI: 10.22227/1997-0935.2012.6.130 - 135

References
  1. Stepanov A.V., Mal’gin V.I., Ivanova G.I. Ob”emno-prostranstvennaya kompozitsiya [Three-dimensional Composition]. Moscow, Arkhitektura-S Publ., 2004, 256 p.
  2. Gogoleva N.A. Problemy razvitiya kompozitsionnogo myshleniya [Problems of Development of Compositional Thinking]. Sovremennye tekhnologii v dizayn-obrazovanii [Advanced Technologies of Design Education]. Proceedings of the 5th All-Russian Scientific and Practical Conference. IPC SIMBiP Publ., Sochi, 2008, 142 p.
  3. Panksenov G.I., Levin I.L. Kurs formal’noy kompozitsii v sisteme khudozhestvenno-graficheskoy podgotovki arkhitektorov [A Course of Formal Composition in the Training of Architects]. Nizhny Novgorod, NNGASU, 2001, 132 p.
  4. Gogoleva N.A. Organizatsiya kursa kompozitsii dlya arkhitektorov. Kompozitsionnaya podgotovka v sovremennom arkhitekturno-khudozhestvennom obrazovanii [Arrangement of a Course in Composition for Architects. Composition Training within the Framework of Contemporary Artistic Education]. Starikov A.A., Iovleva V.I., edited by. Proceedings of the Scientific and Technical Conference. Yekaterinburg, Arkhitekton Publ., 2002, 302 p.
  5. Golubev G.A. Etapy kompozitsionnoy podgotovki i sistema «master-klass» [Stages of Training in Composition and the System of Master-Classes]. Proceedings of the Scientific and Technical Conference. Yekaterinburg, Arkhitekton Publ., 2002, 302 p.
  6. Jones J.K. Metody proektirovaniya [Design Methods]. Moscow, Mir Publ., 1986, 326 p.
  7. Gogoleva N.A. Ispol’zovanie nauchnykh metodov kompozitsii v restavratsii [Use of Scientific Methods of Composition in Restoration]. Proceedings of the Volga-Vyatka Branch of the International Slavic Academy of Education, Arts and Culture. Nizhny Novgorod, 2000, no. 6, pp. 39-44.
  8. Gogoleva N.A. Analiz kompozitsionnykh zakonomernostey pamyatnikov arkhitektury [Analysis of Patterns of Compositions of Architectural Monuments]. Nizhny Novgorod, NNSUACE, 1998, 46 p.
  9. Belousov E.D. Ob”emno-prostranstvennaya kompozitsiya. Printsipy prakticheskogo izucheniya. [Three-dimensional Composition. Principles of Practical Study]. Rostov-Don, RGAAI, 1990, 89 p.
  10. Fedorova T.Yu. Istoriya razvitiya propedevtiki [History of Propaedeutics]. Sovremennye tekhnologii v dizayn-obrazovanii [Advanced Technologies of Design Education]. Proceedings of the 2nd All-Russian Scientific and Practical Conference. RIO SIMBiP Publ., Sochi, 2005, 258 p.

Download

Results 1 - 5 of 5